press kit



Debut EP - "Every Thing Ever" - (5 Songs - 30 min)
Label: Citrus City Records (Releases include: Vundabar, Hala, Crumb, Combo Chimbita, Camp Howard, McKinley Dixon) 
Release Date: Friday, August 3rd

Recorded by: Michael Satterfield
Mixed by: Collin Pastore (Lucy Dacus, Illuminati Hotties)
Mastered by: Jett Galindo at The Bakery (Roberta Flack, Moon Taxi, Illuminati Hotties)

Spooky Cool - Every Thing Ever.jpg


Attempting to describe Richmond’s Spooky Cool--not only their musical style, but also the emotions and ideas their music provokes--will always be a troublesome task. The songs are too consistently kaleidoscopic, and never at ease in one feeling or one component for too long. Lead singer, guitarist, and songwriter Zac Hryciak began this project in 2015 alongside drummer Lee Spratley and bassist Sean Williams, musicians with whom he has been collaborating in one project or another for over a decade, as an effort to bring together contrasting musical sensibilities in a manner which was unfamiliar, yet intelligible. Hryciak, whose approach to vocal melodies and lyrics owes a great deal to Paul Simon, set out with his band to infuse this kind of songwriting with discordance and complex rhythmic and instrumental patterns, though without extreme sacrifice to the music’s harmonious and lyrically playful underpinnings. Vocalist Paula Lavalle joined Spooky Cool later that year, and she helps emphasize and augment the group’s more melodic components, while lead guitarist Zavi Harman, whose instrumental technique has its origins in math rock, became a permanent member soon after. 

Spooky Cool aims at sustaining a tradition of ornate, intricate musical composition demonstrated in the works of bands and composers they admire such as The Beach Boys, Deerhoof, Tchaikovsky, and Sibelius, though with an added influence of metal--Fuzz, for instance, is a recurrent source of inspiration--which contributes a sense of both grimness and deviant humor to the band’s musical disposition. Indelible, euphonic vocal melodies, and lavish vocal harmonies are put to use in abundance. Moreover, wide-ranging dynamics, sudden time-signature shifts, detailed, syncopated drum rhythms, and unexpected periods of tonal dissonance are characteristics to be encountered in nearly all of their tracks.

As with their subject matter, Spooky Cool’s instrumentation is an amalgamation of seemingly disparate elements: the gentle and the brutal, the melodious and the abrasively atonal. The subject matter of Spooky Cool’s music often pivots on annihilation of one form or another, whether such destruction concerns male ego and presumption or more biblical notions of the apocalypse. Zac Hryciak’s lyrical approach moves effortlessly from the anecdotal to the wholly spiritual, from matters of inebriation and sexual insecurity to grand abstractions like good and evil. In essence, Spooky Cool unflaggingly strives to intermix the mundane with the extraordinary. 

In short, the members of Spooky Cool are merely seeking to produce music which they themselves consider entertaining and thought-provoking, and to establish a singular voice, a niche, in the already chockablock world of pop music. 


  • Brooklyn Bazaar (NYC)

  • Baby’s All Right (NYC)

  • Secret Project Robot (NYC)

  • Trans-Pecos (NYC)

  • Our Wicked Lady (NYC)

  • The Gateway (NYC)

  • The Bronze (NYC)

  • BTR TV (NYC)

  • The Basement (Nashville)

  • The Crying Wolf (Nashville)

  • Ortlieb's (Philadelphia)

  • The Pharmacy (Philadelphia)

  • Howlers (Pittsburgh)

  • 529 (Atlanta)

  • Pitbull Manor (Atlanta)

  • The National (Richmond)

  • The Broadberry (Richmond)

  • Brown’s Island (Richmond)

  • Capital Ale House (Richmond)

  • Strange Matter (Richmond)

  • The Camel (Richmond)

  • Lucy Lane (Richmond)

  • Hardywood (Richmond)

  • Ardent (Richmond)

  • Gallery 5 (Richmond)

  • Flora (Richmond)

  • Gallery House (Richmond)

  • Charlie's American Cafe (Norfolk)

  • Toast (Norfolk)

  • The Jefferson Theatre (Charlottesville)

  • The Southern (Charlottesville)

  • Crozet Pizza (Charlottesville)

  • WXJM Live (Harrisonburg)

  • Artful Dodger (Harrisonburg)

  • O'Briens Pub (Boston)

  • A&R Music Bar (Columbus)

  • The Sco (Oberlin)

  • The Tralf (Buffalo)

  • The Odditorium (Asheville)

  • The Wicked Witch (Raleigh)

  • Boxcar (Greensboro)

  • Homegrown Cafe (Newark)

notable shows

  • Lucy Dacus (The National, The Jefferson Theatre, A&R Bar, The Tralf, The Sco, The Southern)

  • Deerhoof (Capital Ale House)

  • J.Roddy Walston & The Business (The Broadberry)

  • Girlpool (Strange Matter)

  • Kississippi (The Jefferson Theatre)

  • NO BS Brass Band (The Broadberry)

  • The Blow (Strange Matter)

  • Post-Animal (Strange Matter)

  • Palm (Strange Matter)

  • Ava Luna (Hardywood)

  • Many Rooms (A&R Bar)

  • Illiterate Light (The Camel)

quotes/Recent press

"Spooky Cool should be called Stupid Good.”
- Lucy Dacus

"I love Spooky Cool! They’re one of the raddest bands I can think of right now." 
J.Roddy Walston

"Spooky Cool is dope. Dope melodies and harmonies weaving through the air, while the rhythm section tells a story on the ground. The structure of each song is inventive and free. The sound of each instrument is full of care and life! The lyrics are thoughtful, fresh and somehow catchy as hell without having to repeat themselves. Spooky Cool is a dope band. Buy this record."
- Reggie Pace (Bon Iver, Sufjan Stevens and NO BS Brass Band)

"Imagine if the angular, almost experimental indie-rock group Deerhoof sat down to write a record inspired by lush Beach Boys harmonies and you might get an idea of what to expect... Pop songs that can shift from quaint ballads to interstellar prog-rock anthems.” 
- Shannon Cleary, Style Weekly

"They (Spooky Cool) eschew minimalism in favor of a complex maximalism. Challenging themselves to emulate composers like Tchaikovsky and Schubert in a rock-type context, the five musicians create music that has been called challenging or mathematical, but might better be simply called interesting. 
Alec Coiro, Ravelin Magazine

“The band’s fearless experimentation with melody and timing results in a fascinating soundscape unlike anything else out there.”
- Culture Collide

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