press kit



Debut EP - "Every Thing Ever" - (5 Songs - 30 min)
Label: Citrus City Records (Releases include: Vundabar, Hala, Crumb, Combo Chimbita, Camp Howard, McKinley Dixon) 
Release Date : Friday, August 3rd

Recorded by: Michael Satterfield
Mixed by: Collin Pastore
Mastered by: Jett Galindo at The Bakery

Spooky Cool - Every Thing Ever.jpg

Summer 2018 Tour

August 3 - Richmond, VA - Hardywood Craft Brewery - w/Haybaby, Piranha Rama & Castle OG
August 4 - Washington, D.C. - DWELL - w/Dead Stars, Black Lodge & SWOLL
August 5 - New York, NY - Baby's All Right - w/Haybaby, Dead Stars
August 6 - Pittsburg, PA - The Bushnell
August 7 - Cleveland, OH - TBA
August 8 - Detroit, MI - TBA
August 9 - Milwaukee, WI - Linnemans
August 10 - Chicago, WI - TBA
August 11 - Columbus, OH - TBA


Attempting to describe Richmond’s Spooky Cool--not only their musical style, but also the emotions and ideas their music provokes--will always be a troublesome task. The songs are too consistently kaleidoscopic, and never at ease in one feeling or one component for too long. Lead singer, guitarist, and songwriter Zac Hryciak began this project in 2015 alongside drummer Lee Spratley and bassist Sean Williams, musicians with whom he has been collaborating in one project or another for over a decade, as an effort to bring together contrasting musical sensibilities in a manner which was unfamiliar, yet intelligible. Hryciak, whose approach to vocal melodies and lyrics owes a great deal to Paul Simon, set out with his band to infuse this kind of songwriting with discordance and complex rhythmic and instrumental patterns, though without extreme sacrifice to the music’s harmonious and lyrically playful underpinnings. Vocalist Paula Lavalle joined Spooky Cool later that year, and she helps emphasize and augment the group’s more melodic components, while lead guitarist Zavi Harman, whose instrumental technique has its origins in math rock, became a permanent member soon after. 

Spooky Cool aims at sustaining a tradition of ornate, intricate musical composition demonstrated in the works of bands and composers they admire such as The Beach Boys, Deerhoof, Tchaikovsky, and Sibelius, though with an added influence of metal--Fuzz, for instance, is a recurrent source of inspiration--which contributes a sense of both grimness and deviant humor to the band’s musical disposition. Indelible, euphonic vocal melodies, and lavish vocal harmonies are put to use in abundance. Moreover, wide-ranging dynamics, sudden time-signature shifts, detailed, syncopated drum rhythms, and unexpected periods of tonal dissonance are characteristics to be encountered in nearly all of their tracks.

As with their subject matter, Spooky Cool’s instrumentation is an amalgamation of seemingly disparate elements: the gentle and the brutal, the melodious and the abrasively atonal. The subject matter of Spooky Cool’s music often pivots on annihilation of one form or another, whether such destruction concerns male ego and presumption or more biblical notions of the apocalypse. Zac Hryciak’s lyrical approach moves effortlessly from the anecdotal to the wholly spiritual, from matters of inebriation and sexual insecurity to grand abstractions like good and evil. In essence, Spooky Cool unflaggingly strives to intermix the mundane with the extraordinary. 

In short, the members of Spooky Cool are merely seeking to produce music which they themselves consider entertaining and thought-provoking, and to establish a singular voice, a niche, in the already chockablock world of pop music. 


  • Black Cat (DC)
  • Secret Project Robot (NYC)
  • Trans-Pecos (NYC)
  • Our Wicked Lady (NYC)
  • The Gateway (NYC)
  • The Basement (Nashville)
  • The Crying Wolf (Nashville)
  • Ortlieb's (Philadelphia)
  • The Pharmacy (Philadelphia)
  • 529 (Atlanta)
  • The National (RVA)
  • The Broadberry (RVA)
  • Strange Matter (RVA)
  • The Camel (RVA)
  • Hardywood (RVA)
  • Gallery 5 (RVA)
  • Flora (RVA)
  • Charlie's American Cafe (Norfolk)
  • Toast (Norfolk)
  • The Southern (Charlottesville)
  • O'Briens (Boston)
  • The Odditorium (Asheville)
  • The Wicked Witch (Raleigh)
  • Boxcar (Greensboro)

notable shows

  • Lucy Dacus (Tour Support)
  • J.Roddy Walston & The Business
  • Girlpool
  • NO BS Brass Band
  • The Blow
  • Post-Animal
  • Palm
  • Ava Luna


"Spooky Cool should be called Stupid Good.”
- Lucy Dacus

"I love Spooky Cool! They’re one of the raddest bands I can think of right now." 
J.Roddy Walston

"Spooky Cool is dope. Dope melodies and harmonies weaving through the air, while the rhythm section tells a story on the ground. The structure of each song is inventive and free. The sound of each instrument is full of care and life! The lyrics are thoughtful, fresh and somehow catchy as hell without having to repeat themselves. Spooky Cool is a dope band. Buy this record."
- Reggie Pace (Bon Iver, Sufjan Stevens and NO BS Brass Band)

"They’re amazing, I don’t know how they do it. How do they remember all those parts?"
- Steve Colmus (Drummer for J.Roddy Walston & The Business)

"Imagine if the angular, almost experimental indie-rock group Deerhoof sat down to write a record inspired by lush Beach Boys harmonies and you might get an idea of what to expect... Pop songs that can shift from quaint ballads to interstellar prog-rock anthems.” 
- Shannon Cleary, Style Weekly

"They (Spooky Cool) eschew minimalism in favor of a complex maximalism. Challenging themselves to emulate composers like Tchaikovsky and Schubert in a rock-type context, the five musicians create music that has been called challenging or mathematical, but might better be simply called interesting. 
Alec Coiro, Ravelin Magazine



Music videos


Live performances



Girlie Action
Felice Eckert

Zavi Harman
(804) 986 6105